Biography

Myles Boothroyd is a performing saxophonist, educator, and music scholar. At home in the various realms of classical, jazz, and contemporary music, he presents concert repertoire that crosses the boundaries of nations, cultures, and musical traditions. Boothroyd serves as Assistant Professor of Saxophone at the University of Oklahoma and has been a member of both the award-winning East End Quartet and the Wisconsin-based Generation Quartet. He currently holds the soprano saxophone chair in the Oklahoma-based Cimarron Quartet. His soprano saxophone playing with the Traverse City Saxophone Quartet is featured on the 2018 album Jazz at Sunset: Celebrating 25 Years by jazz pianist and composer Jeff Haas.

As a soloist and chamber musician, Boothroyd has supported the creation of numerous new works for saxophone, including compositions by Martin Bresnick, Olivia Kieffer, Graham Lynch, Michael Markowski, Joel Martinson, and Mischa Zupko. His list of world premieres includes Symphony Cocteau by Graham Lynch (2018) and Triptych Fantasy by Joel Martinson (2019), the latter of which was performed with Doug Cleveland at the 2019 Convention of the Organ Historical Society in Dallas, Texas.

Boothroyd is active in the international saxophone community as a performer and administrator. He is President-Elect of the North American Saxophone Alliance (NASA), the leading international organization of saxophone performance and scholarship worldwide. He previously served as Program Chair for the 2024 NASA Biennial Conference and as a program committee member for the 2023 NASA Conference. He has earned top national prizes in the Music Teachers National Association (MTNA) Solo and Chamber Music Competitions, the NASA Collegiate Solo Competition, and the Chamber Music Yellow Springs Competition. Boothroyd’s students have been widely successful, earning top prizes in university concerto competitions and, most recently, performing in the final round of the 2025 MTNA National Chamber Music Competition.

Along with maintaining an active performing career, Boothroyd distinguishes himself as a researcher and scholar. He is Editor of The Saxophone Symposium, a peer-reviewed journal and the premier publication of saxophone literature, performance, and pedagogy in North America. His articles have been published in Nota Bene and in The Eastman Case Studies, and he has shared original research at conferences ranging from Chicago and Cincinnati to Honolulu and Montreal.

Boothroyd formerly served as Assistant Professor of Saxophone at the University of Wisconsin-Stevens Point, where he was also appointed Associate Director of the Very Young Composers of Central Wisconsin. Before that, he taught as Adjunct Professor of Saxophone at Roberts Wesleyan College in Rochester, New York. Boothroyd holds a Doctor of Musical Arts (Saxophone), a Master of Music (Saxophone), and a Master of Arts (Music Theory Pedagogy) from the Eastman School of Music. He also holds the Eastman Arts Leadership Certificate, Eastman Performer’s Certificate, and the University of Rochester’s Edward Peck Curtis Award for excellence in teaching by a graduate student. Boothroyd received his Bachelor of Music Education from Central Michigan University. His primary teachers have been John Nichol and Chien-Kwan Lin, and he has studied in lessons and masterclasses with Vincent David, Lars Mlekusch, Doug O’Connor, Taimur Sullivan, and James Umble.